Pantone Color of the Year 2018: ULTRA VIOLET

Pantone® has chosen ULTRA VIOLET as the Color of the Year for 2018. The choice of this enigmatic deep blue-purple was announced yesterday as an "inventive and imaginative color that lights the way to the future".

Courtesy of Pantone

It is a dramatic spectral color created by mixing blue and red and is often associated with supernatural energy and royalty. It has a spiritual quality that lends itself to magical/mystical properties. It helps us to decompress giving it a healing and thoughtful characteristic that inspires us to connect to a higher level.

We are living in a time that requires inventiveness and imagination. It is this kind of creative inspiration that is indigenous to Pantone 18-3838 Ultra Violet, a blue-based purple that takes our awareness and potential to a higher level. From exploring new technologies and the greater galaxy, to artistic expression and spiritual reflection, intuitive Ultra Violet lights the way to what is yet to come. ~ Leatrice Eiseman, Executive Director of the Pantone Color Institute 

Purple is a color associated with visionary and innovative musical artists such as Prince and David Bowie.

Ultra Violet makes a bold statement when used in interior design, and is flattering against many skin tones making it a popular choice for apparel and accessories. There are many hand dyers who choose to work with purple due to its popularity and they will often combine it with yellow which is its complementary color, or with shades of green or red.

Pantone made an excellent choice with Ultra Violet as we look to the future and imagine what lies ahead.

The Mother of Yarn Bombing: Magda Sayeg

Magda Sayeg is a textile artist who is considered to be the 'mother of yarn bombing'. Her movement began very organically when she covered the door handle of her boutique with a knit changing it into something that was hand-made, colourful, warm and inviting. In 2005, she founded KnittaPlease - a yarn bombing collective.

Magda in Action |
Sourced from The Guardian

Magda transforms everyday items found in the urban streetscape by covering them with yarn that has been knit or crocheted personalizing a sterile or cold public space with something that is soft, warm and vibrant. She has tapped into something that has struck a chord and has become a world-wide phenomenon. Perhaps it has something to do with the beautification of urbanity; perhaps it is seeing something handmade and colourful in unexpected spaces or perhaps it is the idea of the warmth and tactile nature of yarn in this temporary artform against the cold, hard and permanency of concrete and steel.

“There is a transformation that occurs when I cover an inanimate object with soft hand-made material. This interaction changes the object without taking away its identity or paralyzing its original function. It is this unplanned arrangement of the material that makes these objects come to life, become sculptural and even redefine or reinterpret a space. The exploration of environmental change drives me: provoking the world to be a more challenging, uncon-ventional, and interesting place.”

Groovy Bus | Mexico City, Mexico

“The simple juxtaposition of this woven material placed within an urban environment has inspired a new generation of knitters who no longer view function as the sole purpose for knitting. This new approach to knitting questions the assumptions of a traditional craft while adding a previously unused material to the world of street art.”

Knitted Stairs | Sydney, Australia | Photo Magda Sayeg

Milan | Photo Magda Sayeg

Her work has evolved over to include art installations that will be covered under a future blog post.

Check out her TedTalk: How yarn bombing grew into a worldwide movement.

A Visual Art Movement: Yarn Bombing

In a series of monthly blog posts, I am going to explore the art of knitting and how its popularity is impacting our world of art.

The first visual art movement that I will explore is yarn bombing which is a three-dimensional street art that is described as the act of covering something unexpected in knitting. It is also known as guerilla art, or yarn storming (a less violent way of saying yarn bombing), urban knitting or kniffiti. 

Yarn bombing is considered the female version of the mostly male-dominated urban street graffiti. In its essence, yarn bombing is temporary and has a limited life span – it has intentional impermanence. There is typically a mixture of both knitting and crochet worked within the projects (crochet works up rather quickly).

David Demchuk (from Toronto) is quoted as saying: Yarn bombing confronts people with creativity that’s not heavily disciplined or aestheticized. It can look perfect and polished or hazardous and insane – that’s part of its charm. It breaks down a lot of barriers that people have about creativity. 

The start of yarn bombing has been attributed to a couple of origins – some articles point to the Netherlands in 2004 and some to knitters in Texas who wanted to use up their stash but many believe that Magda Sayeg is considered to be the founder of yarn bombing. Although there is no definitive start date or a clear indication of who began the movement – it is definitely a recent art form that has quickly spread worldwide. 

The ideas are numerous as to why this is done: Adding warmth and beauty to cold and sterile public spaces, making a peaceful political statement, showcasing creativity, provoking thought…etc. It can show up unexpectedly in the urban landscape on utilitarian objects such as lamp posts, benches, parking meters, poles or statues. 

As with urban street graffiti, many artists choose to remain anonymous. However, there are some well-known artists who are leading this movement that I'll dive into in my future blogs.

The following are a few examples of some amazing works of art.

Trees at the State Capitol in Austin, TX by Magda Sayeg/Knitta Please

Bridge of Cesenatico | Italy | Photo credit Sleppa

 Blanton Museum | UT campus | Dan Machold

Bicycle | The Netherlands| Photo credit Baykedevries

SQUARE MEDALLION with SWIRLING INCREASES

Stitch of the Month -  May 2017

Medallions are knit using a set of double-pointed (5) needles. They can be created by increasing as you work from the centre out or by decreasing from the outer circumference inwards to the centre. They can also be knit in a number of different shapes including square, round, pentagon, hexagon and octagon. 

Medallions can be used as mats or as doilies but they can also be sewn together to create blankets, bedspreads or cushion covers. 

The square medallion shape would work well for items were you want to create a patchwork effect of squares by sewing a number of medallions together using different colours or fibres. The increases are created using yarn overs.

Square Medallion with Swirling Increases

Cast on 8 sts (2 sts on each of the 4 dpn using 5th dpn to work sts)

Set up Round  Knit into back of each st

Round 1  yo at the beginning of each of the 4 needles 

Repeat Round 1 until square is required size ensuring each needles has the same number of sts for uniformity of each square.

Bind off loosely.

Note: To make the swirls increase counter-clockwise, do the yarn overs before the last stitch on each of the 4 needles instead of placing the yarn overs at the beginning.

PUFFED STITCH

Stitch of the Month - March 2017

The Puffed Stitch is all about texture. It's a style of the bobble stitch where a cluster of five stitches are worked back and forth over a number of rows creating a three-dimensional texture or a 'puff' in the knit fabric. It also uses more yarn than a stockinette or lace stitch because of the extra rows that are knit to create the puffs.

Puffed Stitch
(Multiples of 10 stitches + 2)
Row 1 and 3 (WS) Purl
Row 2  Knit
Row 4  K1, *(K5, turn, p5, turn) 3 times, k10; repeat from * to last st, k1.
Row 5  and 7  Purl
Row 6  Knit
Row 8  K6, *(K5, turn, p5, turn) 3 times, k10, repeat from * to last 6 sts, (k5, turn, p5, turn) 2 times, K6.
These 8 rows form the Puffed Stitch pattern.

VAN DYKE CHECK STITCH

Stitch of the Month - February 2017
Van Dyke Check is a reversible stitch pattern that is worked over a combination of knit and purl stitches.

Van Dyke Check Stitch
(Multiples of 8 sts)
Row 1  (RS) Knit
Row 2  *K4, p4; repeat from * to end.
Row 3  P1, *k4, p4; repeat from * to last 7 sts, end k4, p3.
Row 4  K2, *p4, k4; repeat from * to last 6 sts, end p4, k2.
Row 5  P3, *k4, p4; repeat from * to last 5 sts, end k4, p1.
Row 6  *P4, k4; repeat from * to end.
Row 7  Knit
Rows 8 thru 11  *K4, p4; repeat from * to end.
Row 12  Purl
Row 13  *P4, k4; repeat from * to end.
Row 14  K1, *p4, k4; repeat from * to last 7 sts, end p4, k3.
Row 15  P2, *k4, p4; repeat from * to last 6 sts, end k4, p2.
Row 16  K3, *p4, k4; repeat from * to last 5 sts, end p4, k1.
Row 17  *K4, p4; repeat from * to end.
Row 18  Purl
Rows 19 thru 22  *P4, k4; repeat from * to end.
These 22 rows form the Van Dyke Check Stitch.

GRANITE STITCH

Stitch of the Month - January 2017

The Granite Stitch is worked over an even number of stitches and four row repeat. The decrease row followed by an increase row creates a dense fabric that looks similar to a row of purl against stockinette but the effect creates a more interesting look and feel. There is less drape to the fabric due to the denseness of the stitch but that's also very appealing attribute of this stitch pattern.

Granite Stitch
(Even number of sts)
Row 1 (RS)  Knit
Row 2 *k2tog; repeat to end
Row 3 *kfb; repeat to end
Row 4 Purl

Abbreviations
kfb - knit into the front and back of the stitch